![]() The dance number in the Griffith Observatory is a great example of how Dolby Atmos is used to subtly enhance the audio and ultimately deliver a superb soundtrack overall – very impressive. This is where the Dolby Atmos soundtrack really excels, surrounding the audience and swirling around their heads as the leads glide across the screen. The use of the LFE channel is very effective in under-pinning the music and songs, whilst surround effects are used to enhance the numerous dance numbers. The dialogue is clear and focused on the screen, whilst the music is beautifully rendered across the front soundstage. The musical is more about the songs than it is about object-based effects but it remains an accomplished soundtrack that delivers the artistic intentions of the filmmakers with great style. Steve Withers reviewed the audio using a 7.2.4-channel Dolby Atmos setup – La La Land isn't the kind of film that necessarily lends itself to an immersive audio soundtrack. The Dolby Atmos soundtrack delivers La La Land's music and songs with style Sure, fans who were expecting a hyper-enhanced Mad Max: Fury Road-like affair may well be disappointed, but Chazelle may not have ever intended La La Land - particularly given its throwback style - to look like that, and so the more restrained but also more faithful end result, complete with a thick swathe of suitably filmic grain, shouldn't necessarily be dismissed so readily. With DVDFab 9, you would have to run two separate tasks with the. Occasionally, you might want to make a backup copy of a newly purchased DVD movie, and also rip that DVD into compatible format so as to watch it on your smart phone. October 11th, 2016 by DVDFabMalcolm 113,487 views. However the instances where there are some already striking colours or stylish flourishes (the exterior of the bar where Gosling's first playing the piano) are given a disarmingly vibrant enhancement, largely courtesy of the use of High Dynamic Range (HDR) and Wide Colour Gamut (WCG).ĭarker sequences remain strongly represented, colours are lovingly rendered (which in a film as colourful as this, is a key element) and overall it's a very nice looking UHD presentation. DVDFab 10 Allows Running Copy and Ripper Modules Concurrently. The times where the Blu-ray fails to particularly impress (the interior of the bar where Gosling's first playing the piano) are only marginally improved here, bringing a little more focus, better resolved black levels and more refined colours. A subtly impressive Ultra HD Blu-ray release ![]()
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